PY An 607

	.1	me-ta-pa , ke-ri-mi-ja , do-qe-ja , ki-ri-te-wi'-ja'
	.2	do-qe-ja , do-e-ro , pa-te , ma-te-de , ku-te-re-u-p̣ị
	.3	MUL 6 do-qe-ja , do-e-ra , e-qe-ta-i , e-e-to ,
	.4	te-re-te-we MUL 13
	.5	do-qe-ja , do-e-ro , pa-te , ma-te-de , di-wi-ja , do-e-ra ,
	.6	MUL 3 do-qe-ja , do-e-ra , ma-te , pa-te-de , ka-ke-u ,
	.7	MUL 1 do-qe-ja , do-e-ra ma-te , pa-te-de , ka-ke-u ,
	.8	MUL 3
	.9	vacat
	.10	vacat
	.11	ka
	.12	vacat
	.13	vacat
	.14	vacat
	.15	margo

		Cut at bottom; perhaps palimpsest.
	.3	⟦ḍọ-ẹ-⟧ before MUL; -ra over ⟦ro⟧.
	.4	13 over ⟦6⟧: the 10 which replaced the 6 seems to have been gradually increased to 13; rest of the line perhaps over erasure, unless the traces are palimpsestic.
	.5-8	Lines written when clay was drier (PT3) and, perhaps, with a different stylus (which in no way implies another scribe).
	.6	Final -u over erasure, which might explain why the “cross” is drawn in an unusual way for scribe 1 (cf. stroke order), and why the divider is different from those immediately above and below.
	.11	ka PTT: KA (« sematogram ») Bennett 1992, p. 123.